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Mrs. Geoffrey, thus addressed, rouses herself, and says, "What can I do for you?" in a far-away tone that proves she has been in thought-land miles away from every one. Through her brain some words are surging. Her mind has gone back to that scene in the conservatory last night when she and Paul Rodney had been together. What was it he had said? What were the exact words he had used? She lays two fingers on her smooth white brow, and lets a little frown—born only of bewildered thought—contract its fairness.,

"In Sydney. In Paul Rodney's employ. In his very house.",

It is the first time he has ever used the tone of authority towards her, and involuntarily she shrinks from him, and glances up at him from under her long lashes in a half frightened, half-reproachful fashion, as might an offended child.,

"Speak lower," said the old woman, "or you may be heard. We have no good food because there is a great snake here who is the chief of the camp. He takes all the best pieces. He lives over there in that snake-painted lodge."

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"No. Of course I remember you now," says Mona, taking all this nonsense as quite bona fide sense in a maddeningly fascinating fashion. "How unkind I have been! But I was listening to the music, not to our introduction, when Sir Nicholas brought you up to me, and—and that is my only excuse." Then, sweetly, "You love music?",

"I am not so sure of that," says Mona, with admirable tact and an exquisite smile, "but I shouldn't mind spending an hour with you.",

A pause. Mona mechanically but absently goes on with her work, avoiding all interchange of glances with her deceitful lover. The deceitful lover is plainly meditating a fresh attack. Presently he overturns an empty churn and seats himself on the top of it in a dejected fashion.,

"I bear you no illwill; you mistake me," says Mona, quietly: "I am only sorry for Nicholas, because I do love him."